Back catalogue: International

Review: Reissued on Japanese talent scourers Musicaanossa Gryps, whose special interest lies in every oddity from obscure breakbeat to hip-hop and jazz, comes the debut, originally self-released album from Cuban cellist, songwriter and vocalist Yaniel Matos. At once arresting and strikingly pure, Matos attends to the ears with a naturalistic plucked cello style and high tenor, proffering an easygoing Afro-latin feel whose tender valence few can claim to know without musical inducements such as this. Backed by a star cast of musicians such as Sidiel Vieria on bass and Cuca Teixeria on drums, Matos reissues a humble throbber of a record here.

Review: Ottawa's Afro-jazz-funk collective returns with a limited 7" showcasing two dynamic tracks that highlight their genre-blending prowess. Originally released in 2014 on Inner Fire, 'One Life To Live' kicks off Side-1 with an exhilarating fusion of funk, Latin and Afro rhythms. The track's lively horn arrangements and tight percussion create an infectious groove, balancing intricate musicianship with danceable energy. On Side-2, 'Kingdome Come' dives deeper into jazz territory, merging Afro-Cuban jazz with jazz-funk and Latin jazz elements. The result is a richly textured piece that moves fluidly between laid-back grooves and vibrant, rhythmic bursts. The percussion is sharp, and the brass shines with both restraint and exuberance, highlighting the band's ability to navigate complex arrangements while maintaining a relaxed, natural flow.

Review: Bebo Valdes was born in Cuba but is now celebrated as a pioneer of Afro-Cuban jazz and Latin jazz all around the globe. A trained pianist, arranger and conductor, he collaborated with legends like Olga Guillot, Celia Cruz, Josephine Baker and Nat King Cole and a trip to Haiti in the 1940s sparked his interest in African-rooted rhythms, which he then incorporated into his music while performing at Havana's Tropicana cabaret. After surviving a near-fatal bomb explosion during a performance, he left Tropicana to find success on Cuban television before emigrating to Mexico and eventually Sweden. Bebo Valdes Y Su Gran Orquesta is a wonderful window into his colourful rhythms and lively sounds.

Review: This reissue brings an essential piece of Latin music history back to life. The album crackles with energy, blending Afro-Cuban rhythms with an electrifying brass section and masterful percussion. Upbeat guaracha mambo, driving son montuno and cha-cha-cha grooves create an infectious momentum, while the arrangements from legends like Tito Puente, Charlie Palmieri and Louie Ramirez ensure every track is dynamic and meticulously crafted. The opener is a self-affirming explosion of rhythm, setting the tone for a collection that seamlessly balances joyful exuberance with poignant storytelling. Tracks like the rapid-fire guaracha about the struggles of rebuilding life as an immigrant add depth, while lighthearted guajira melodies and a playful cha-cha-cha about space travel showcase remarkable versatility. Despite its initial modest success, this record was a foundational moment, paving the way for an illustrious career that would define and elevate salsa worldwide. The remastering from the original analogue tapes ensures a rich listening experience. Nearly six decades later, its impact and brilliance remain undeniable.