Back in stock: All genres

Notes: Easily connect your modular system to the rest of your setup with Out, a compact 2HP stereo line output and headphone module. Despite its small size, it includes everything you need for clear, convenient listening.

The top section features stereo modular-level inputs with LED indicators for quick level monitoring. From there, the signal is routed to both a stereo line output and a dedicated headphone jack, each with independent volume control. Whether you're sending your modular through external effects, recording into an interface, or just monitoring with headphones, Out keeps things simple and efficient.

Review: Released 35 years ago, The Cactus Album marked a significant moment in hip-hop, presenting a unique blend of styles from its members, Pete Nice and MC Serch. Unlike their contemporaries, the duo expressed their identity authentically, sidestepping exaggerated stereotypes often associated with white rappers. Their chemistry is palpable in tracks like 'Steppin' To The A.M' and 'Words Of Wisdom', where intricate samples and sharp lyricism shine through. The album's standout, 'The Gas Face', shows their ability to tackle complex social issues, addressing racism in a way rarely seen among white emcees at the time. Tracks such as 'Brooklyn Queens' and 'Monte Hall' illustrate their knack for catchy yet thoughtful content, while DJ Richie Rich's contributions on the turntables enhance the album's overall sound. Despite the group's eventual split due to personal differences, their influence remains significant. The lasting legacy of The Cactus Album lies in its authentic representation of hip-hop culture, paving the way for future artists like Eminem. Even amid interpersonal strife, the duo's collaboration produced a timeless work that resonates even today.

Review: Originally released in 1982, A Flock Of Seagulls' eponymous debut album heard them burst on to the new wave scene with advanced songwriting and catchy guitar laps and lyrics. With Phil Spector hailing the album as 'phenomenal', perhaps for somewhat conforming to his wally production technique, the band ended up being venerated near-timelessly for their quasi-electronic synth tunes like 'I Ran' (clock the use of early electronic drum pads in its breakdown). This is new wave at one its best pop-centric peaks.

Review: The summer is almost here which means this is exactly the sort of record we want to be reaching for. It's a lush and tropical work of idealised disco grooves, deepest house, Balearic, smooth jazz and Mediterranean cool that cries out to be played loud while you sip on cocktails and dream of being somewhere utterly blissful and classy. Dreamy textures define each cut with nice fresh rhythms, glistening chords and lush melodies all sprinkled with delightful percussive detail. Big up to A Vision Of Panorama for serving up a beautiful album that is sure to soundtrack the warmest months of the year for many.

Review: Actress fleshes out the heavy melodics on his tenth studio album Statik, a testament to the producer otherwise known as Darren Cunningham's continued preference for making full-length works born of uninterrupted flow states. Debuting for the Norwegian imprint for the first time here, Statik centres on a 'sense of stillness', as ever demonstrating the producer's signature blend of icy, hissy textures with post-club progressions. Albeit this time, he plays up an extra-monochromic found-footage sound, across which all manner of aquatic and cetaceous melodic references are heard.

Review: Admin's 'Mystical Circles 02' delivers two vibrant tracks that embody the essence of dancefloor-ready disco and funk. On Side-1, 'Three Eight Four' kicks off with infectious tribal drum fills and funky bass licks, accentuated by a commanding saxophone that invites listeners to groove. Its lively energy makes it a standout choice for any party. Flipping to Side 2, 'Ionosphere' continues the momentum with wicked bass notes and a stunning groove, complemented by powerful horn arrangements that elevate the track's dynamic feel. This release perfectly blends disco house with jazz funk elements, making it an essential addition to any DJ's set. Mystical Circles 02 is a celebration of sound that is sure to get everyone on their feet.

Notes: Bartender is the centerpiece of the mixer system. Four stereo channels, with two stereo aux send and two stereo returns. Each channel can be used in a mono mode where both channels are mixed. If you want to do eight channels of mono, you can put the channels in stereo mode (I know it feels backwards) and then use the pan control to control the crossfade between each channel, and then take the mono output. There is a built in cueing system so you can monitor channels in your headphones and control the blend with the main output. You can expand a Bartender with both a Barback and/or another Bartender. When connecting two Bartenders, the main level control on the 'expander' Bartender acts as a group control.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


One of the most legendary trance anthems of all time, 'The Age of Love', continues its reign with a fresh set of remixes that bridge generations of dance music fans. On Side-A, Charlotte de Witte & Enrico Sangiuliano inject their signature techno power into the track, transforming it into a driving, hypnotic beast. Charlotte has championed this remix in her sets and for good reasoniits retro synths and rolling energy make it a festival weapon, modernising the track while keeping its euphoric essence intact. Side-B opens with the 2021 remaster of Jam & Spoon's Watch Out For Stella mix, the definitive remix that catapulted the track into trance history. With its sprawling, cinematic breakdowns and timeless atmosphere. Rounding things out, Solomun delivers his Renaissance remix, a deep and unique take that shifts the track into a melodic house and techno hybrid, offering a fresh perspective without losing the original's magic. This re-release is both a tribute and a reinvention, proving that' The Age of Love' remains unstoppable on the dancefloor more than 30 years later.

Review: It would be fair to say that great Italo-disco albums are few and far between. Ago's 1982 debut album, "For You", is undoubtedly one of the rare examples of an Italo-disco artist getting it right across an entire LP. As this timely reissue proves, the artist (and his production team) was more heavily influenced by U.S disco, boogie and early electrofunk than many of his synth-pop and new wave-loving peers, giving the set an authenticity and warm instrumental feel often lacking in similar Italian exercises. You may find the accented vocals a touch tongue-in-cheek, but the choruses are great, the instrumentation brilliant and the production spot on.

Review: After spending the majority of his 20-plus-year career flitting between the Kompakt and Coneme labels, Matias Aguayo makes a rare outing on another label - a delayed debut for Matt 'Radio Slave' Edwards' REKIDS imprint. In its' original form (side A), 'El Internet' is a typically off-kilter affair in which his own poetic, spoken word vocals (in Chilean, of course) and fuzzy, elongated synth sounds ride a beefy but wonky bassline and the long-serving producer's usual South American-tinged, hand percussion-enhanced hybrid house/techno grooves. It comes accompanied by a vocal-free instrumental mix, where the full breadth and depth of Aguayo's production can be heard, and a useful acapella DJ tool.

Review: American jazz pianist par excellence Ahmad Jamal recorded The Awakening in 1970, originally for the Impulse! label. He was joined by Jamil Nasser on bass and Frank Gant on drums, and amongst his own compositions such as 'The Awakening' you can hear him tackling works from Herbie Hancock amongst others. Considering Jamal was already 20 years into his career by this point, the album has been hailed by critics for highlighting his evolution as a pianist, creating a more complex style without sacrificing delicacy and expression. It's a classic which is also loaded with hooks you might well have heard elsewhere on tracks from Nas and Common, to name but a few.

Notes: Ultra soft over-ear memory foam cushions covered with Alcantarar, an aesthetic, functional, and CO2 neutral material. Highly comfortable and ideal for longer listening sessions. Provides a spacious, open sound with low isolation.

Notes: Configured specifically for DJs, the superb TMA-2 modular headphones are offered here in DJ Wireless 'preset', featuring ultra-low-latency high-fidelity performance.

Supplier's Notes:
Danish audio company AIAIAI, known for pushing the boundaries in professional audio, is expanding the possibilities of music performance by releasing TMA-2 DJ Wireless - the world's first headphones specifically designed for wireless DJing. Now DJs can finally confidently free themselves from the cable, without compromise.

What truly sets the TMA-2 DJ Wireless apart is its groundbreaking ultra-low latency wireless technology, delivering a delay-free experience for precision beatmatching and cable-free mixing. Coupled with over 25 hours of battery life, they offer uninterrupted performance for lengthy sets.

TMA-2 DJ Wireless deliver professional-grade sound, tuned for powerful bass and clear treble, with high sound isolation to cut through the noise of any environment. Designed with durability in mind, the TMA-2 DJ Wireless builds on over a decade of proven TMA-2 DJ performance, featuring a robust yet lightweight construction that ensures long-lasting comfort during extended sets.

"With the TMA-2 DJ Wireless, we set out to create wireless DJ headphones that truly meet the demands of DJs. For years, wireless technology meant compromising on performance, but with our ultra-low latency wireless technology, we are finally able to deliver a solution that offers both Freedom and precision. This is a game-changer for DJs looking to break free from cables" - Frederik Jorgensen, Founder

Notes: Presenting the new AJHSynth Matrix VCF - this may well be the most versatile Eurorack VCF ever.

This amazing multimode filter and VCA offers sixteen different filter types, and two different resonance models on each, totalling an incredible thirty two assorted resonant filters to choose from. AJH Synth have also included manual and CV control of filter type selection, along with 16 LED's that give a clear visual indication of which filter type is currently selected.

The filter core circuitry is based on that of the rare and highly sought after Oberheim Matrix 12 synthesiser, and of course has an all analogue signal path. The Matrix 12 VCF originally offered fifteen filter types, however AJH Synth have expanded this to 16 with the addition of AP4, a full four pole all pass phaser mode.

AJH Synth have added a unique P-Vox resonance distortion and overdrive circuit that changes the character of the resonance completely, and can force all of the filter modes into self oscillation. This effectively doubles the filter variants and hugely broadens what is already a very impressive sound pallet.

Other features include an inbuilt VCA with Input and Output Level controls, a Peak level LED, CV control of resonance, and of course the legendary AJHSynth build quality.

The Matrix VCF in depth

After two years of development AJH Synth have finally released what they consider to be the most versatile Eurorack VCF & VCA ever. Like many other AJHSynth modules it uses the very best vintage analogue circuitry as the starting point for the design, and in this case, the filter was chosen from the rare and very desirable Oberheim Matrix 12 synthesiser. AJH Synth expanded this from the original fifteen filter compliment to sixteen distinct filter types by adding in a really useful four pole phaser!

So, behind the compact 14hp front panel lies sixteen distinct filter types, including all of the favourites: Low Pass filters with a choice of one, two, three or four poles, Band Pass filtering with two or four poles, High Pass filtering with one, two or three pole options, along with Notch filtering and four complex, combination filter types. Finally, a four stage phaser with two types of emphasis that can be forced into tuneful self-oscillation!

However, this is far from the end of the story. AJH Synth decided to use their design expertise to add in some crazy resonance distortion circuitry, that could be switched on from the front panel. This was inspired by the filter from the Soviet Polivoks synthesiser, but again the implementation used here is considerably changed, improved, and best of all this can be applied to all filter types! This completely changes the filter character when engaged, and it forces all of the filters into self-oscillation at higher resonance settings. Better still, the oscillation waveforms are more harmonically rich than the usual sine waves - everything from gloriously fat to screaming and angry! Best of all, this takes the number of different filters up to a massive thirty two variations!

AJH Synth put a lot of thought into the ergonomics and how to select the individual filter type. Filter type can be changed either with the front panel Mode knob, or by using a control voltage patched to the MODE CV input. The selected filter mode is displayed by the LED next to the filter in use. This is also very helpful when using a step sequencer to change filter mode as it gives a real time display of the filter chosen as you take the step CV voltage up or down, while setting up each individual step.

Lastly, AJH Synth have also included a VCA hard-wired to the output - simply patch an envelope or an LFO to the VCA input, connect a VCO to the audio input and you have a synth voice (with a choice from 32 different filters!) using only three modules!

Thirty two Eurorack VCF's and a VCA would most certainly take up a lot of rack space - AJH Synth have got all of this into 14hp and managed to have a really finger-friendly user interface, without it feeling cramped.


Sixteen distinct filter modes to choose from

Here's a list of the different filter modes that are available:
1 - Four Pole Band Pass
2 - Three Pole High Pass combined with One Pole Low Pass
3 - Three Pole All Pass combined with One Pole Low Pass
4 - Two Pole Notch combined with One Pole Low Pass
5 - Two Pole Low Pass
6 - Four Pole All Pass (Phaser)
7 - Four Pole Low Pass
8 - Two Pole Band Pass
9 - Two Pole High Pass combined with One Pole Low Pass
10 - Three Pole High Pass
11 - Three Pole All Pass
12 - Two Pole Notch
13 - One Pole Low Pass
14 - Two Pole High Pass
15 - Three Pole Low Pass
16 - One Pole High Pass

All of the above filter types can be further altered by switching in P-Vox mode, this doubles the list up to thirty two different filter variants!

P-VOX MODE

Transforming the resonant character of every filter type

This magical switch completely transforms the resonance of the filter core by overdriving it in a similar fashion to the filter from the Soviet Polivoks synthesiser, which was renowned for it's powerful, aggressive character.
In common with the Oberheim Matrix 12 VCF, some of the sixteen filter types will not normally go into self-oscillation, however when you switch on P-Vox mode all sixteen filter types can be forced into self-oscillation at higher resonance settings. But that isn't the only change, the self-oscillation waveform is not the usual sine waveform, it is a rather more interesting and harmonically rich waveform that varies according to the filter type chosen - generally Low Pass modes produce the nearest to regular sine waves, whereas other filter types can produce very much more complex waveforms as can be seen in the diagrams below. It does not require any audio input for this, it can be a stand alone oscillator. Most of the filter types will track 1V/Oct reasonably well over a three to five octave range, so it can be used as a VCO with a few interesting waveshapes!

Of course, P-Vox mode isn't just useful for self-oscillation, it adds lots of character to any audio signal as P-Vox resonance is switched in.

Module Width: 14hp
Module Depth: 29mm (Including power lead)
Current Usage: 56mA Positive, 36mA Negative

Review: If you like your techno slung at you in emotive waves, look no further than Alarico's latest LP. Releasers Primal Instinct speak as if to restore to techno its very essence by describing an asymptote of techno, one that must be held fast to or lost: "complex and groovy patterns generated by advanced, yet organic sound design, unifying the two antipodes that create the essence of techno: primitivism and innovation." Alarico's record is an exemplary egg of this principle, hatched from within the PI hutch: over the span of two years, many of these tunes come culled from the Milanese producer's live performances, and prefer reams of wavy emotion amid hard pummellings. Unlike many of his peers, Alarico is unafraid of varying the tonal centre, interceding stark and heavy drum design with moving progressions, yet not indulging overt tranciness, as on the drowned world of 'Mezcal & Sangre' or the opening vibe-promulgator 'Iruka'.

Notes: ***B-STOCK: Without original box, product in perfect working order***


Mid-range DJ mixer from the leading UK brand. Fully analogue four-channel design with A&H's much-loved Xone filter section. Very tempting alternative to the flagship Xone:96. Excellent value.

Supplier notes:
Created for DJs and electronic music purists, Xone:43 is a 4+1 channel DJ mixer that offers the very best of analogue audio quality, including the legendary Xone filter with resonance control, 3 band EQ, crossfader with three curve settings and X:FX for send/return to your favourite FX unit.

The crossfader has three switchable curve settings for blending or scratching styles and can be easily replaced or upgraded to a custom Innofader for ultimate crossfader performance.

With balanced XLR main outputs, independent booth and record outputs, Xone:43 excels in the club and in high end personal DJ setups.

Notes: Still a classic, still a brilliant mixer. Nearly 20 years on the market but sounding just as good as ever, the Xone:92 seems like a bit of a bargain now.

Supplier's Notes:
The industry-standard Xone:92 is a versatile six channel analogue mixer, renowned for its expansive, involving sound. With its solid construction and easy to use interface, the 92 is on the riders of most of the world's top DJs and is a permanent fixture in the booth at many of the biggest superclubs.

The Xone:92 was one of the first professional DJ mixers to incorporate MIDI for control of DJ software or external devices, and the first to include the innovative dual VCF filters. With its two stereo FX sends, twin Mic/returns, and one of the best EQ sections around, this mixer is a DJ's dream tool.

For those who prefer to blend with rotary faders the Xone:92R is also available.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Still a classic, still a brilliant mixer. Nearly 20 years on the market but sounding just as good as ever, the Xone:92 seems like a bit of a bargain now.

Supplier's Notes:
The industry-standard Xone:92 is a versatile six channel analogue mixer, renowned for its expansive, involving sound. With its solid construction and easy to use interface, the 92 is on the riders of most of the world's top DJs and is a permanent fixture in the booth at many of the biggest superclubs.

The Xone:92 was one of the first professional DJ mixers to incorporate MIDI for control of DJ software or external devices, and the first to include the innovative dual VCF filters. With its two stereo FX sends, twin Mic/returns, and one of the best EQ sections around, this mixer is a DJ's dream tool.

For those who prefer to blend with rotary faders the Xone:92R is also available.

Notes: ***B-STOCK: Box opened, product in perfect working order***


'Beast's Chalkboard' is dual channel stepped voltage source and adder for your eurorack modular synthesizer system. It primarily is intended as a dual octave switcher for VCO's but has many other uses including sequence transposition, FM ratio creation, buffered CV distribution and VCO calibration.

Technical Specifications:

Supply: +/-12V (Reverse voltage & polyfuse protection)
Current Draw: ~30ma
Size: 6 HP
Depth: 22mm (including power header)
Offset Error: +/- 10mV

Notes: The mmMidi is a simple & compact MIDI interface for your Eurorack synthesiser. It translates two independent channels of MIDI note, velocity and gate information to corresponding control voltage signals via either a classic MIDI DIN type connection or as a driverless USB MIDI device.

The mmMidi also converts MIDI Clock to analogue x24 fixed clock and run outputs (i.e DIN Sync). The optional mmT expander provides a third MIDI channel of 8 key mapped gate outputs.

Requiring minimal configuration and a pain free set up, the mmMidi makes it easy to sync Pam's clock to your DAW, control multiple synth voices, and trigger drum or sample modules with the optional mmT expander. The new USB-C connection makes it easy to drive your modular not just from your computer but also via your tablet, phone or any USB MIDI Host.

(Note: New 2025 mkII version adds USB-C functionality.)

Technical Specifications

Power: +12V 50mA / -12V 0mA
Size: 4HP
Depth: 38mm
MIDI response latency: 200-400 uSec
Resolution: Factory calibrated 12 bit 0-8V CV outputs. +5V gates

Notes: ***B-STOCK: Box opened, product in perfect working order***


'Pamela's PRO Workout' is a compact programmable clocked modulation source for your Eurorack modular system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Each output can provide everything from simple clocked triggers, complex rhythmic waveforms, quantised melodic patterns to random chaos with direct and assignable CV control over numerous parameters. These features together with a quick and easy to use interface provide almost limitless synced modulation possibilities in a tiny space.

Building on the original 'Pamela's Workout' & 'Pamela's NEW Workout' the evolved 'PRO' Pam maintains the precursor's form factor and intuitive workflow but improves and adds many new features with upgraded hardware, more CV inputs, a new full colour hi res display and rewritten software adding many new enhancements like micro grid timings and cross output modulations.

Through optional expander modules more CV input and outputs can be added with support for external non euro equipment through Midi and Din Sync outputs. Please enjoy your next generation PRO workout!

Size: 8HP
Power: +12v 60ma / -12v 10ma
Depth: 32mm (approx with power header)
Outputs: 0-5v buffered low impedance. 12 bit res. 3.8khz max update freq.
Inputs: CV 0v-5v / Clock, Run - rising edge 700mV min.

Review: The Alpha One project is led by New York music industry veteran Nicky Kalliongis, a seasoned sound engineer, producer and songwriter with experience at Atlantic Records. Adding to its pedigree, Alpha One features musicians from the iconic band Change who ensure an authentic and electrifying boogie funk sound. And that is what we have here on new single 'Changes' which will get any ass-shaking and floor pumping with its irresistible synth lines and vocals. Flip it over for an instrumental that is more dialled back and direct.

Notes: Celebrating a quarter of a century for ARS, the Model 1100 gets a red makeover. Same two-channel design with elite audiophile quality. Limited to 50 units worldwide.

Supplier's Notes:
MODEL1100 RED LE Music Mixer

2 channel table top mixer

MODEL1100 RED LE(broadcast mixer) Music Mixer
ARS Anniversary limited edition red face model

ARS MODEL 1100 DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-eq Mid-eq Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator on the master. Potentiometer and Switch are All ALPS .
A long time in the development phase, this mixer is a beautiful example of Japanese hand made precision workmanship.

Highly recommended.


It is designed with purist ideals with only essential features.

ARS 1100 has 3 band hybrid iso-eq hi-eq mid-eq low-iso on each channel and 3band Iso on the master.

The Master Isolators can be boost of cut from +18db ~ -8.

The Ch hi-eq mid-eq can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ -8.

Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-1100 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Specs

Frequency Response: +/-1dB 20Hz-20Khz
Input: 2 x Phono: 47K Ohm /2 x Line: 20K Ohm
House Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Return: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response:
3band hybrid isoeq 1-2Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~ -8.


Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 20w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)220 x (H)250 x (D)100 mm
Front Panel Colour: Red

Notes: ARS's four-channel Model9100 gets the red makeover to celebrate the brand's 25th birthday. Same beautiful audiophile design with three-band hybrid iso-EQ, master isolator and post-fader aux sends.

Supplier's Notes:
MODEL9100B RED Music Mixer

4 channel table top mixer

MODEL9100B RED LE(broadcast mixer) Music Mixer
ARS Anniversary limited edition red face model
(Headphone Monitor Trim: Cue-Mix-Pgm special version)

ARS MODEL 9100B DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-eq Mid-eq Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator on the master.

Potentiometer and Switch are All ALPS.

A long time in the development phase, this mixer is a beautiful example of Japanese hand-made precision workmanship.

Highly recommended.

It is designed with purist ideals with only essential features.

ARS 9100 has 3 band hybrid iso-eq hi-eq mid-eq low-iso on each channel and 3band Iso on the master. The Master Isolators can be boost of cut from +18db ~ -8. The Ch hi-eq mid-eq can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ -8. Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-9100 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Specs

Frequency Response: +/-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Return: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response:
3band hybrid isoeq 1-4Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~ -8.

Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 25w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)306 x (H)250 x (D)100 mm
model9100BW Unit weight:4700g
ACBOX: 1100g
Front Panel Colour: Red

Notes: ***B-STOCK: Box opened, product in perfect working order***


Broadcast-ready update of ARS's flagship audiophile rotary mixer. Small design changes mean even better sound quality and improved cueing. Still hand built in Japan to the highest standards.

Supplier's Notes:
Model 9100B Music Mixer

4 channel table top mixer

Model 9100B (broadcast mixer) Music Mixer Wood TYPE (Headphone Monitor Trim: Cue-Mix-Pgm special version)

ARS Model 9100B DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-EQ Mid-EQ Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator on the master. Potentiometer and Switch are All ALPS .

A long time in the development phase this mixer is a beautiful example of Japanese hand made precision workmanship- highly recommended.

It is designed with purist ideals with only essential features.

ARS 9100 has 3 band hybrid iso-EQ hi-EQ mid-EQ low-iso on each channel and 3band Iso on the master.

The Master Isolators can be boost of cut from +18db ~ -8.

The Ch hi-EQ mid-EQ can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ -8.

Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-9100 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Specifications
Frequency Response: +-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output:RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output:RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Retrun: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response:
3band hybrid isoeq 1-4Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~ -8.

Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 25w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)306 x (H)250 x (D)100 mm
Front Panel Colour: Black