Temporary Residence Limited US Schallplatten & CDs

Review: Originally recorded in September 1982, September 23rd would likely not recognise the DUMBO neighbourhood of Brooklyn in which it was conceived. Post-industrialisation, the area became known as a hotbed for artists due to the inexpensive loft spaces up for grabs, but today has been gentrified thanks to its position - Down Under Manhattan Bridge Overpass. One thing that hasn't changed in that time is just how spectacular William Basinski's pieces are. Comprising two parts, original piano sections played by close friend and world famous drag artist John Epperson (AKA Lypsinka) were recorded onto a handheld cassette machine, before being fed through a Frippertronics loop and feedback loop tape delay system, with incredible results. Rich, strange sonic textures, beautiful but fleeting moments of melody and a depth that sounds like you can dive into it.

Review: September 23rd is the debut release of William Basinski's new Arcadia Archive series and it features a previously unreleased gem recorded in September 1982 in his first loft in Brooklyn's pre-gentrified DUMBO. This early work, derived from a high school piano composition, evolved significantly after Basinski recorded it using a portable cassette deck on a piano owned by his neighbour, John Epperson at 351 Jay Street. Initially unimpressive, the piece transformed through Basinski's use of the John Giorno/William Burroughs cut-up technique and Frippertronics loop system to yield remarkable results. This discovery adds a captivating layer to Basinski's nearly five-decade career.

Review: September 23rd is the first release in William Basinski's new Arcadia Archive series. Recorded in September 1982 in his first loft in the DUMBO neighborhood in Brooklyn, New York, September 23rd is a recently unearthed early entry in what has become a hugely inspirational and influential catalogue. Built from a piano piece that Basinski composed in high school in the mid-1970s, September 23rd quickly evolved into a vastly different work, upon its revisitation. Using the John Giorno and William Burroughs cut-up technique, Basinski fabricated an elaborate Frippertronics and feedback loop tape delay system, resulting in the quiet but dramatic set of sounds and resounds you hear here.

Review: Selene by Akira Kosemura & Lawrence English is a beautiful exploration of atmosphere and gravity, seamlessly weaving together expansive soundscapes with a grounding sense of stability. At its core, Selene is a contemplative journey that delves into the human desire for transcendence and new perspectives. Through its meditative compositions, the record captures the essence of celestial zones and the boundless visions they evoke. Drawing inspiration from various sources, including radio telecopy, filmic dreams, and fictional renderings, the album transcends traditional boundaries to create a rich tapestry of sound and emotion. As a collaborative effort, Selene builds upon a lineage of musical exploration, bridging past and future with its innovative approach to composition and production. Through its ethereal melodies and evocative atmospheres, the album embraces the beauty of the unknown.