Review: Hailing from sunny California, funk/soul/jazz crew The Charities bring heart and grit to a track that delves into the intoxicating pull of a love destined to implode. The song paints a vivid portrait of a desriable yet destructive partner whose charm conceals a narcissistic core. With sharp, emotive lyrics and a bittersweet melody, it yearns for the intensity of love's highs and the sting of its inevitable downfall. It's a classic tale of attraction turning to heartache, delivered with a raw authenticity that lingers. Their third single since forming, 'Fatal Attraction' might just be their best yet, while on the flip side, 'It's Not Our Time' shifts to a softer, more reflective tone. This bittersweet ballad explores the ache of love interrupted, as two lovers part ways with the hope that time and distance will lead to a brighter reunion. The warmth of the band's instrumentation, coupled with tender, heartfelt vocals, makes this track a touching counterbalance to the A-side's intensity. The Charities' ability to channel deep emotion through timeless grooves is soulful storytelling at its finest.
Review: Leroi's back! Well... He never went away. As a studiosmith and designer his fingerprints are all over many of Colemine's on-point curations, but now we're about to enjoy a whole new tonne of Conroy as he prepares to drop his debut album. These two heavyweight instrumentals set the scene perfectly; "Tiger Trot" looks east for melodic inspiration with a touch of New Orleans in the swampy sweaty delivery. "Enter" hits with more of a jazzier, freeform air as we spiral into trumpet dizziness into deep bluesy introspection and some damn fine breaks from fellow Colemine consistency Rob Houk. Only 300 copies pressed.
Review: Their last single was "Won't Be Coming Back", now comes "Sure Don't Miss You": We're noticing a theme here... And to be honest, we can't thank whichever ex-lover it was who upset this Seattle seven piece enough. Because we are getting some serious soul gold right here! Once again on Colemine, once again rich in harmony, once again with the big instrumentation and enough spring in the guitars and horns for big dance moves; The Dip are fast establishing themselves as a serious player in contemporary funk and they've even thrown in an instrumental to show how tight they are.
Review: Colemine step up with another sure shot of impeccable modern soul, this time coming from Australian outfit Dojo Cuts. 'Here We Are' is a slow jam with sadness in its heart, but it hits hard. That's in no small part down to the impassioned vocal turn from Carlton Jumel Smith, who gets his message across with conviction on this classically styled ballad. One for rainy days and poignant moments, with the instrumental on the flip when you want the music to carry you away.
Review: San Franciscan soul crooner and multi-instrumentalist Kelly Finnegan shares the 7" vinyl edition of his 2023 single 'Leave You Alone', following on from its original cassette and digital release. A lo-fi testament to unrequited love, moving on and giving in, regaling a love story from the femme perspective and recalling the soulful themes of singer Bettye Swann. This time, the record also comes backed by a B-sider, 'Thom's Hartbreak', is a sonic thank you letter to Thom Bell & William Hart, two names synonymous with the 60s-70s Philly Sound.
Review: For fans of classic soul like Lee Fields and Bobby Oroza, Kelly Finnigan's latest 45 is a pure delight. On the A-side, an upbeat Northern soul-inspired track from A Lover Was Born pulses with raw emotionisyncopated guitars and brass-powered intensity back Finnigan's story of a love in crisis. The B-side adds a bonus cut, evoking the 60s soul vibe of Stax Records with a deep, minor-key groove. Here, gospel-tinged harmonies and moody horns underscore Finnigan's heartache, capturing a timeless feel with modern passion.
Review: Hot on the heels of his acclaimed sophomore album A Lover Was Born, Kelly Finnigan makes a quick return with this soul-packed 7". The A-side, 'Get A Hold Of Yourself,' is a Northern soul-inspired stomper that channels the raw emotion of Memphis soul with heavy drums, syncopated guitars, bold horns and Finnigan's impassioned vocals. It tells the story of a rocky relationship where emotional strain disrupts physical connection then the B-side is a fresh bonus cut from the A Lover Was Born sessions inspired by Barbara & The Browns' Stax classic 'Hurts Me So Much'. It's a moody groove with gospel-infused vocals.
Review: This limited-edition 45 from Aaron Frazer, featuring two standout tracks from his debut album. On side-1, 'Bad News,' delivers a punch with its funky, drum-driven rhythm and a pressing message on urgent issues like climate change and systemic racism. Recorded in Nashville with a stellar lineup, including The Memphis Boysifamed for backing Dusty Springfield and Aretha Franklinithis track blends old-school soul with contemporary relevance. On Side-2, 'Done Lyin'' reveals Frazer's emotional depth. With Dan Auerbach's robust production setting the stage, Frazer's heartfelt vocals shine through, creating a soulful resonance that captures both strength and vulnerability. Soul fans will be taking notice of this release!
Review: Colemine's latest transmigration of soul comes incarnated in rainbow-hued 45 form, culling two more slamming singles from Aaron Frazer's new and forthcoming LP, Into The Blue. Following the Brooklyn drummer and singer's earlier 2024 7"s 'Bad News/Done Lyin' and 'Bring You A Ring', we now consider ourselves further enriched by this contradictorily loose but tight soul-funk flabbergaster, which veers bassy and beatific, making stark and strident use of etheric vocals by singer Kiyamma Griffin.
Review: Baltimore-born US songwriter Aaron Frazer's 'Bring You A Ring' has the sort of timeless quality to it that so much of the soul dropped on this label comes with. It is a superbly velvety sound that is both easy to listen to yet hugely emotive. Vocally it celebrates love and connection and is a real heart melter. On the flip side you get something just as groovy in 'You Don't Wanna Be My Baby.' This one has harmonies that float high in the sky and plenty of nice strings to add further richness.
Review: Aaron Frazer's limited-edition 45 showcases two dynamic tracks from his debut album. Side-1 has 'Bad News,' with its' punchy, drum-heavy groove paired with a powerful commentary on critical issues like climate change and racial injustice. This track, recorded in Nashville with the iconic Memphis Boysiknown for their work with Dusty Springfield and Aretha Franklinimerges classic soul with a modern edge. Flipping to Side-2, 'Done Lyin'' offers a glimpse into Frazer's emotional landscape. Dan Auerbach's commanding production provides a fitting backdrop for Frazer's poignant vocals, which convey a deep sense of both resilience and vulnerability. This black vinyl version is sure to impress soul enthusiasts with its blend of heartfelt expression and classic flair.
Review: The latest 45 from Durand Jones & The Indications, out on Colemine Records, brings together two tracks from their previous LP, Private Space. Now lovingly refitted for 7" play as only the best cinematic soul should, the A-side of this record contains the album's title track. It comes in the form of a laid back, string-strung, smoothened progression, on which guitarist Blake Rhein plays minimal but on-the-money strokes, and the ever falsetto'ing Durand Jones sings creatively of and in tribute to the many cordoned-off corners, hiding places and hind spaces of the world; the essential vectors of lovemaking. The flip shakes up the ambiance to a higher set of stakes, deploying an upper-tempo, flunkie disco-funk, to hearsaid but hopeful talk of seas of love.
Review: Featuring two tracks that from Durand Jones & The Indications' third LP, this new 45 is a honeyed slice of retro-soul with pop leanings, as the band continues to mine the '60s and '70s for inspiration. Front to back, the record retains a healthy balance between the invention of new sounds and the sticking to strengths. The A-side 'Ride Or Die' casts the spotlight squarely on drummer Aaron Frazer, who also just so happens to have one of Earth's silkiest falsettos, while Jones' vocals lead the way through the sultry 'More Than Ever’.
Review: Colemine Records very much transports us back to another time with this latest lovely offering. It is a deep dive into the work of sophisticated lounge-pop as might be played during dinner at a trendy society ball back in the 60s. It comes from Durand Jones and The Indications and one track off they third album Too Many Tears. It's is one of heartbreak and is lit up by the gorgeous falsetto of Aaron Frazrs on the A-side, who tells s tale of betrayal. On the flip is a sweet soul sound soaked up by new school fans with an alternative indie an experimental sound from Y La Bomba led by singer-songwriter and guitarist Luz Elena Mendoza.
Review: Dewey Kenmore clearly knows the pains of unrequited love and irrelationship better than most artists. The enigmatic soul singer's new single 'Before We Say Goodbye' channels the denial stage of grief: "you know it's just you and I, do or die", he opines, desperately grasping after the former ecstasy of a now fading relationship. The song is full of doomy minor chords and Hammond organ-ic reverie, laying on thick the mood of irreversibility around life's milestones.
Review: Fans of Tame Impala listen up, American Psych-Soul band Monophonics have released another 45 from their acclaimed 2022 album 'Sage Motel'. Frontman, and LA native, Kelly Finnigan is the conductor of this train taking the listener through a journey of Bay area psych guitars, 60s soul trumpets and Motown influences sprinkled here and there. No better do all these things collide than on Side A's 'Warpaint', the eighth track on the album and predecessor to Side B's slow-jam 'Crash & Burn'. 'Warpaint' is a brassy quick-stepper of a track, featuring all the hallmarks of the jukebox era as Aquiles MagaNa shreds mid-way through. The tumbling drums and big band trumpets give way to a psychedelic breakdown, before picking things up where they left off in a grandiose crescendo.
Kelly Finnigan - "The Shape Of My Teardrops" (4:30)
Review: Here comes a meltingly powerful 7" split single by Monophonics and Kelly Finnigan, a psychedelic soul band and a singer from California respectively. Monophonics' contribution is a classic: 'Love You Better', a catchy, soulful belter concerning a formerly broken relationship, and the sacrifices it takes to pick up the pieces. The flipside, meanwhile, is a newer one from Finnigan; 'The Shape Of My Teardrops', which reckons with grief in the form of a surreal, rimshotting slow jam.
Review: For fans of 60s/70s soul, American Psych-Soul band Monophonics have released another 45 from their acclaimed 2022 album 'Sage Motel'. Frontman and LA native, Kelly Finnigan is the conductor of this train taking the listener through a journey of Bay-area psych guitars, 60s soul trumpets and Motown influences sprinkled here and there, printed on a limited swirled 7" disc. Side B's 'Crash & Burn' is the mellow ballad that succeeds Side A's 'Warpaint', originally the ninth track on the ten-track LP. A sombre, wistful track that sees Finnigan's keyboard skills on full display, the psychedelic elements taking over, having an element of St Vincent's groovy 2021 album 'Daddy's Home' in its warbling synths and hippie-esque percussion. You don't know whether you want to cry to it or get high to it, or both.
Review: Joey Quinones and his band Thee Sinisters deliver a retro new one, testifying their ability to operate masterfully in an old style of soul while releasing new music all the while. This split 7" 45 finds the LA falsetto lending his services to lo-fi reggae on the A side (There Myst Be Something'), before giving in to the bittersweet past on the B-side ('Love Me Like You Used To'). Expect a pleasing foray through hurt, tripletty slow-jam soul.
Review: Say She She's latest festive offering becomes even more irresistible with this special opaque dark purple vinyl edition. The A-side reimagines Marvin Gaye's 'Purple Snowflakes,' wrapping cascading piano lines and delicate harmonies in a mood that's equal parts nostalgic and otherworldly. On the B-side, their first original holiday tune, 'This Wintertime,' evokes warmth and intimacy, celebrating the simple joy of togetherness. Pressed on this stunning coloured vinyl, the release pairs perfectly with its timeless sound, offering collectors and fans alike something truly special for the season.
Review: Say She She bring soulful magic to the holidays with two tracks that effortlessly combine tradition and originality. Their cover of Marvin Gaye's 'Purple Snowflakes' brims with soft, tumbling melodies and an understated psychedelic charm, while 'This Wintertime' radiates with the heartfelt warmth of their first original Christmas tune. Lush harmonies and thoughtful arrangements define both tracks, reminding us of music's power to connect and uplift. This festive 7" single captures the spirit of the season in Say She She's signature style.
Review: The Sextones are a four-piece soul band from Reno, Nevada, who blend elements of rock, pop, and funk with a deep and mournful soul primacy. Fitting squarely into that oeuvre is their latest 'Beck & Call', which recalls their dearest inspirations - the likes of The Moments, Baby Huey and Curtis Mayfield - for two equally powerful falsetto'ing slow jams. The title track is the more emotive standout, channelling a hefty drum forward plod, lilting strings, soul-foundational bass, and lyrics dealing with letting go of a lost cause. 'Daydreaming', meanwhile, is more of a haze, and notably utilises electronic drums and a prominent sitar.
Review: Colemine Records has devoted itself to releasing top notch soul music for close to 20 years now. Those who follow the label closely trust the purveyor of the label (Terry Cole) enough to blindly pick up each and almost every release. The label's knack for finding and sharing some of the best versions of soul music is clearly evident from the latest by a group called The Splendids. Originally recorded in 1961, these two songs were destined to launch this talented ensemble. Two things' happened in 1962 though. Beatles music made Doo-Wop almost irrelevant overnight. In addition, members of the group got called into Vietnam. 63 years later after originally forming, the surviving three of the five members recording once again. The result is phenomenal and makes us feel like we are back in the 1950s. Only 500 copies in total have been pressed.
Review: Thee Sinseers excel at expressing the complexities of love through their engaging melodies. The band, rooted in East Los Angeles, has made a name for themselves in the Chicano soul scene, led by QuiNones. The lineup also features talented musicians such as Eric Johnson on tenor sax and Jose Luis Jimenez on trombone, all contributing to a rich tapestry of influences, from 1960s rocksteady to the vibrant spirit of Ritchie Valens and Ray Charles. 'Can't Call My Baby' leads the way as one of the strongest tracks taken from their debut full length album highlighted on this 7". On Side-2 introduces 'Take A Chance', a brand new and previously unreleased track. Here, Joey Quinones shines with his distinctive crooning, urging listeners to seize the moment and embrace love before it's too late. The inclusion of a soulful harmonica adds a lively flair, beautifully blending elements of classic Motown with Latin soul influences. Together, these songs highlight Thee Sinseers' distinctive sound and artistic versatility, merging nostalgic elements with a modern twist.
Review: The Sinseers' 'For You' is the quintessential soundtrack to Southern California vibes. From the opening notes that evoke images of beautiful beach strands under the sun to the heartfelt chorus, the song transports listeners to another world. Led by Joey Quinones, a true son of East Los Angeles, Thee Sinseers defy categorisation as mere oldies players. Over the past five years, they've honed their craft, infusing r&b and soul with a modern twist. With 'For You,' they deliver a timeless blend of music that captures the essence of a bygone era while remaining fresh and relevant in today's scene.
Review: Side-1's 'Can't Call My Baby', highlights the powerful lead vocals of Adriana Flores, taken from the full length debut of Thee Sinseers, which has already amassed nearly seven million streams on Spotify within just three months. Flores delivers a stunning performance, effortlessly conveying the song's emotional depth. On Side-2, the band unveils 'Take A Chance', a fresh and unreleased track. This song showcases Joey Quinones' signature crooning, as he encourages listeners to embrace love while they still can. The track's soulful harmonica adds a vibrant touch, seamlessly merging classic Motown influences with Latin soul rhythms. Together, these tracks exemplify Thee Sinseers' unique sound and artistic range, blending nostalgia with contemporary flair. Thee Sinseers continue to impress with their ability to capture the complexities of love through their melodic storytelling.
Review: Kelly Finnigan's latest album, A Lover Was Born, is a soulful journey rooted in the rich traditions of Midwest labels like King and Curtom. Finnigan, known as the frontman of The Monophonics, infuses this record with the raw passion and heartfelt grit that have become his signature. Across eleven tracks, he blends influences from deep soul, Northern Soul, and hip-hop, creating a sound both timeless and contemporary. From the dramatic piano echoes of Isaac Hayes on 'Be Your Own Shelter' to the stomping rhythms of 'Get a Hold of Yourself,' Finnigan shows his versatility. Tracks like 'Walk Away from Me' and 'Love (Your Pain Goes Deep)' capture his deep soul strength, while 'His Love Ain't Real' and 'Cold World' bring a harder edge with Boom Bap beats. The album's tender moments, such as 'All That's Left' and 'Count Me Out,' reveal the emotional depth that has defined his work. Collaborating with seasoned musicians and drawing from a wide range of influences, Finnigan crafts a record that feels both a tribute to and a reinvention of classic soul.
Review: Kelly Finnigan's A Lover Was Born channels the raw energy and emotion of classic Midwest soul, evoking the spirit of labels like King and Curtom with a contemporary twist. The Monophonics frontman offers a collection of tracks that blend gritty passion with heartfelt elegance, transforming deep emotions into something virtuous and timeless. Following his 2019 solo debut The Tales People Tell, Finnigan's new album marks the culmination of years of creative growth, punctuated by a string of projects, including Monophonics releases and collaborative work with other artists. Recorded across California, Ohio, and Staten Island, A Lover Was Born sees Finnigan partnering with longtime friends and collaborators like Max and Joe Ramey, Jimmy James, and Sergio Rios, to craft its rich sound. The album is a variety of influences, with tracks like 'Get a Hold of Yourself' and 'Chosen Few' featuring Northern Soul's stomping energy, while slower, soulful cuts like 'Let Me Count the Reasons' and 'Count Me Out' showcase Finnigan's tender side. His voice, echoing the rawness of Otis Redding and David Ruffin, brings depth to every song, seamlessly blending soul's past with a fresh, modern sensibility.
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